As a pour painter, I want to share that pouring is not simply placing paint on a canvas and hoping for a good outcome. There is intentional planning, skill, technique, and a deep relationship between myself, the paint, the tools, and the canvas at every step of the process.

It begins with thoughtful color selection and precise mixing of paints to the correct consistency—balancing oils, paint, and additives—to create the right fluidity. Then, I carefully select tools such as torches, blowers, and palette knives to guide and manipulate the paint, intentionally moving it to achieve the desired flow, movement, and form.

Choosing the canvas size and thickness is a deliberate decision, ensuring that the composition complements the surface area. A successful pour requires skillful management of the amount of paint used—too much or too little can affect the formation of cells, lacing, and the clarity of the design.

A critical part of the technique is knowing when to stop manipulating the paint; overworking the surface can lead to muddying, loss of definition, and diminished contrast. Finally, environmental control is essential: the temperature and humidity of the drying space must be carefully managed to prevent cracking or other issues that can either enhance or destroy the final piece.

Each painting is the result of a series of intentional, technical decisions layered with artistic instinct. My goal is always to push beyond the initial pour—to shape the abstract forms into cohesive, expressive compositions that feel alive and balanced.